What’s more, that dialogue is not some dramatically sculptured theatrical two-hander building to third act epiphanies but, rather, a transcription of an actual conversation between art photographer ...

Among the features premiering this year at the Sundance Film Festival, there are none — on paper — simpler than Ira Sachs’s Peter Hujar’s Day. Arriving just two years after he premiered his Passages ...

Among the features premiering this year at the Sundance Film Festival, there are none — on paper — simpler than Ira Sachs’s Peter Hujar’s Day. Arriving just two years after he premiered his Passages ...

Below, I spoke to Sachs about his approach to adapting Rosenkrantz’s slim tome, what his film has to say about the artist’s ...

The film is a 2025 Sundance Film Festival NEXT selection and was shot by Rufai Ajala, who also served as DP on the original short. Below, Ajala discusses translating New York’s summer heat into ...

Editor Irfan Van Tuijl, who edited May It Go Beautifully for You, Rico reprised his roll for Mad Bills to Pay. Below, he explains what it’s like to cut a film that is composed entirely of master shots ...

Mad Bills to Pay (or Destiny, dile que no soy malo) is director Joel Alfonso Vargas’s feature adaptation of his short film ...

Editor Irfan Van Tuijl, who edited May It Go Beautifully for You, Rico reprised his roll for Mad Bills to Pay. Below, he ...

The film is personal to Menon: everyone on the skeleton cast and crew is friends and family, the dog and the baby in the film ...

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Geoff Boothby served as the film’s editor. Below, he talks about cutting in placeholders that allowed for future shoots to be carefully designed and how choices of what equipment to use in the shoot ...

In Didn’t Die, the host of a podcast continues broadcasting even after the apocalypse, using irony to mask her fear. The 2025 ...